It's Christmas, and Teddy has promised Frankie that he won't go back into the Maze without help, and since he doesn't have help around... And then he comes across the letter transcribed for him in Phineas Nigellus's voice, makes his excuses, and heads for the Room of Requirement.
Table of Contents and Summary So Far( Teddy Lupin and the Daedalus Maze, Chapter Nineteen: Nigellus, pt. 1 )
I went to Momma Mia with some friends from work this afternoon.
Any attempt to take this movie seriously will make you crazy, so don't bother. It's ABBA songs strung together into a loose plot... what's it going to be, A Midsummer Night's Dream?
But it has James Bond and an Oscar winner wearing shiny, bell-bottomed, v-necked, polyester jumpsuits. With sequins. No other movie this year will offer you that. One cannot argue with the sequins.
Personally, I'm going to put
Polish immigrants to the UK getting advice on tea-drinking on my Best Things Ever list.
"Advice is also offered about the ritual of tea-drinking which it says provides "an opportunity to overcome shyness and make everyone feel more comfortable."
It goes on to say: "You may be asked whether you want your drink weak or strong, white (with milk) or black (without)". "Hi, we're British. We drink tea. BE PREPARED!
The thing about trains (or any public transport) is that you have no control over them. This of course is the thing that many people find frustrating, annoying, maybe even frightening. A train is the ultimate no-control situation. Once you are on a train, you cannot speed to get to your destination more quickly if you are running behind. You cannot change your mind and go back, or at least not without waiting a good amount of time to get to the next station, and then paying an extortionate amount for your new ticket. You cannot even delay your journey by pausing at a truckstop until you are sure you have made the right decision and are going the right way. No, you are on a train. You have already made the limit of your decisions by buying your ticket, and turning up on time to climb on. Now you must sit and wait, to reach your destination, or to have
something so huge occurs that it becomes an impossibility to do so, whichever may come first.
Different people react different ways to the hazards you find on trains. Some will become impatient and upset as things begin to go wrong - the train is running late; there are engineering works delaying you; it is over-crowded; the air-conditioning has broken; you have missed your connection. Others though relax, perhaps grumbling a little about the conditions they find themselves in, but bearing most of it with a good humour.
We are the prepared; we have travelled the train before, we have brought books and food, laptops and drinks. We may glance at our watches certainly, we may call ahead to tell those at our destination that we may be delayed, but for the most part, we do not worried. We are on a train. And we know that of what happens here, very little is within our control. We will arrive when we arrive. Until then, we must simply wait, and enjoy the scenary.